Europe Clinical MastersTM Program
in Esthetic and Restorative Dentistry

Milan: 20 - 23 October, Geneva: 4 - 7 May 2017, Athens: TBA
a total of 12 days on location + online learning

×

Request More Information

Thank you for your interest in our Programs and Courses. Please fill in the form below and we will get back to you with more details on the program within the next 48 hours.
  • This field is for validation purposes and should be left unchanged.

Three on location sessions with hands on practice plus online learning under the Masters’ supervision.

Clinical Masters Program Faculty

Didier Dietschi
D.M.D, PhD

Domenico Massironi
DDS, Phd

Stavros Pelekanos
Dr. Med. Dent, DDS

Stavros Pelekanos
Dr. Med. Dent, DDS

Ed Mclaren
DDS, MDT

Registration Information

Milan: 20 - 23 October, Geneva: 4 - 7 May 2017, Athens: TBA
a total of 12 days on location + online learning

Curriculum fee:
€3300 per session
€9900 for the entire program

Tel.: +49-341-484-74134 / email: request@tribunecme.com

+We speak your language (click for details)

Collaborate
on your cases

and access hours of premium video training and live webinars

100

C.E.CREDITS
Participants must always be aware of the hazards of using limited knowledge in integrating new techniques or procedures into their practice. Only sound evidence-based dentistry should be used in patient therapy.

The detailed program of this course consists of three on-site sessions with live patient treatment hands on, plus online learning and mentoring under the supervision of the Masters.

Milan Session October 20, 2016 - October 23, 2016

Domenico MassironiDDS, Phd

Stavros PelekanosDr. Med. Dent, DDS

Register

PREPARATION FOR COMPLETE CROWN AND LAMINATE VENEERS

Theory Related to Hands-on-course phases

  • Our approach in Prosthesis:
    • Work flow Predictability
    • Magnification Instruments: concepts and effects on the operator and what we need to know about it.
    • Microscope in Prosthesis
    • Minimally invasive preparation concepts on dental and periodontal structures
    • Finish line designs. Investigation and analysis of the different ad/disadvantages
    • Modified Chamfer finish line: Massironi’s approach and philosophy for esthetics and functional reasons, and with different restoration materials
    • Technologies related to Modified chamfer: rotating oscillating and rounded chisel instruments
    • Phase one approach
    • Phase two approach: Deflection, Repositioning and Finishing
      • The use of cords in relation to the different Periodontium biotypes
      • Timing-Technique
    • Impression
      • Individual custom Tray for natural teeth and Implants
      • Different Impression Materials Characteristics and approach
    • Restoration Materials and Cementation and new approach in prostheses
      • Frame work Try-in, from the Model Master to oral cavity.
    • Esthetics Concepts and Communication to the patients our digital smile design approach
    • Veneers and Additional Veneers
      • Indications and different implementations of mini-invasive techniques
      • Design, Preparation, Provisional, and Cementation phases
      • Materials and Timings of the work flow for Laminate Veneers (PLV) and Additional Veneers

Hands-on practice

  • Setting position with Microscope or Loupe in different working step and sextants
  • Preparation phase for complete crown in anterior and posterior area
  • Use of oscillating instruments in repositioning phase
  • Use of the rounded chisel
  • Preparation phase for laminate veneers (window and incisal edge reduction)
  • Different design preparation: butt join-mini-chamfer-
  • Different preparation for different indications and aim
  • Individual custom try construction for complete crown & laminate veneers
  • Impression phase and analysis

Full mouth rehabilitation – what has changed? Treatment steps and sequencing.

Basic prosthodontic procedures haven’t changed through the years regarding the occlusal registration techniques (centric relation, maximum intercuspation) and defining the vertical dimension of occlusion. What has changed is the introduction of new materials (Zirconia, Lithium disilicate) and latest technology (CAD CAM) in conjunction with simplified methods that enable the clinician to perform the treatment workflow in the everyday practice.
All the treatment steps starting from analyzing a prosthodontic case to the smile design and final reconstruction will be presented in this course.

At the end of the course all the participants will know:

  • To select and analyze a case regarding the smile design, diagnostic wax up and transferring the information to the patients mouth
  • To be able to choose and perform correctly occlusal registration techniques (maximum intercuspation, centric relation)
  • To be acquainted with semi-adjustable articulators and Facebow registration
  • To understand the properties of the latest ceramic materials and technology and incorporate the minimal invasive procedures in the every day clinical dentistry. To fabricate in an easy way stabilization occlusal appliances
  • 9:00-10:30 Starting with a prosthodontic patient (case analysis)
  • 10:30-11:00 Coffee break
  • 11:00-13:00 Treatment positions and registration techniques
  • 13:00-14:00 Lunch break
  • 14:00-15:30 Techniques for centric relation and facebow registration (demo and hands on)
  • 15:30-16:00 Coffee break
  • 16:00-17:30 Fabrication of a stabilization appliance. A simplified method. (demo and hands on)

“Single implants in the aesthetic zone – surgical and prosthetic approach to achieve optimum aesthetics”

  • Treatment concepts with implants in the esthetic zone – How can we achieve a natural looking implant crown? (Part 1)
  • Treatment concepts with implants in the esthetic zone – How can we achieve a natural looking implant crown? (Part 2)
  • Hands on – Implant placement using surgical stent in the esthetic zone and soft tissue management (Part 1)
  • Hands on – Implant placement using surgical stent in the esthetic zone and soft tissue management (Part 2)

Geneva Session May 4, 2017 - May 7, 2017

Didier DietschiD.M.D, PhD

Register

bio-ESTHETICS & FUNCTION in synergy

Direct restorations (with update on simplified filling techniques)

  • Lecture:

    • General indications for adhesive tooth-colored posterior restorations
    • Bio-mechanical & functional tooth status: understanding material boundaries
    • Simplified fillings protocols (do we need bulk-filling systems?)
    • Lining & bases: material choice & application
    • Evidenced based, gold-standard in direct class I & II techniques
  • Hands-on:

    • Direct class I & II: horizontal & 3-site techniques
    • Direct class I & II: oblique layering
    • Lining & base techniques
    • Advanced bio-anatomy sculpting technique

bio-ESTHETICS & FUNCTION in synergy

Semi-and Indirect techniques

  • Lecture:

    • Rationale & indications for semi-& in-direct techniques
    • Material choice: composite & ceramics, when and why!
    • Semi & In-direct techniques: clinical protocols “a to z”
  • Hands-on:

    • Semi-and in-direct technique: cavity preparation
    • Liner & bases: the COD & CMR techniques
    • Intra-oral technique: keys to optimal in/onlayquality
    • Advanced cementation technique

bio-ESTHETICS & FUNCTION in synergy

Polychromatic restorations

  • Lecture:

    • Bio-esthetics: a global treatment rational
    • Indications for direct bonding in the smile frame
    • Estheticanalysis: Dento-gingival components
    • DSD technique applied to direct bonding techniques
    • Mock-up, wax-up & indexes The Natural Layering Concept (NLC)
  • Hands-on:

    • Advanced rubber-dam placement
    • Matrix selection
    • Class III (centripetal approach)
    • Class V: the “bi-laminar” flow technique
    • Class IV (part I)

bio-ESTHETICS & FUNCTION in synergy

Advanced techniques in free-hand bonding

  • Lecture:

    • Preparation and margin design for optimal esthetic transition
    • Shade selection
    • Normo-chromatic & poly-chromatic restorations
    • Matrices: options & selection, the “pull through” technique
    • Advanced finishing & polishing protocols
  • Hands-on:

    • Class IV bucco-lingual
    • Normo-chromatic free-hand technique (veneering & form corrections)
    • Advanced finishing & polishing

Athens Session Dates to be confirmed.

Stavros PelekanosDr. Med. Dent, DDS

Ed MclarenDDS, MDT

Register

Simplifying the clinical steps for ceramic veneers – Theory and live demonstration with patient”

  • Ceramic veneers:materials, techniques and clinical procedures
  • Ceramic veneers:temporary restorations, cementation
  • Hands on – Step by step silicon indexes, mock up, preparations and cementation procedure (Part 1)
  • Hands-on – Step by step silicon indexes, mock up, preparations and cementation procedure (Part 2)

Etched Ceramic Restorations Course (Part I)

  • LECTURE 1: Material Selection Guidelines and The Bonded Functional esthetic prototype (BFEP’s): Technique
  • DEMO: STEP-BY-STEP fabrication of (1) Coe-putty tray relief matrix on cast provided, (2) Clear Triad Tray (3) Clear VPS matrix of cast of wax up, (4) BFEP’s on Typodont using composite with clear matrix a BFEP’s (bonded mock-up)
  • HANDS-ON: Participants fabricate (1) Coe-putty tray relief matrix on cast provided, (2) Clear Triad Tray (3) Clear VPS matrix of cast of wax up, (4) BFEP’s on Typodont using composite with clear matrix
  • LECTURE 2: ECR anterior preparations: standard preparations, preparations for Diasthema closure, preparations based on final shading requirements, mini- veneer preparations, and no-preparation clinical indications.
  • DEMO: Esthetic Ceramic Restoration preparations for teeth #5-#11 (standard veneer #5, veneer with lingual offset # 6, pegged lateral #7, veneer incorporating mesial fracture #8, standard veneer prep #9, mini veneer prep #9, standard veneer prep #10, standard veneer prep #11)
  • HANDS-ON: Esthetic Ceramic Restoration preparations for teeth #5-#11

Etched Ceramic Restorations Course (Part II)

  • LECTURE 3: Posterior ECR preparations (inlay, onlay, Vonlay), Conventional and Chairside CAD-CAM fabrication technology
  • DEMO: Preparation of an Inlay #2, onlay #3, and Vonlay #4, Demo Block out and margin elevation
  • HANDS-ON: Participants complete Inlay #2, Onlay, and Vonlay #4 preparation on Typodont, block-out and margin elevation #3
  • LECTURE 4: Bonding (resin cementation) ECR’S- ADHESION AND CEMENTS
  • DEMO: Step-by-Step Demonstration of cementing an Anterior and Posterior ECR restoration on a Typodont
  • HANDS-ON: Participants cement 1 anterior ECR on a specially prepared Typodont following the technique demonstrated.

DESIGNING AND CREATING ANTERIOR TEETH USING COMPOSITE: FORM, CONTOUR, FINISH, AND POLISH

The proper space management, contour, surface texture, and polish can take average looking restorations and create an exceptional esthetic result. These steps are critical to the success of dental restorations weather it is composite or porcelain.

This is a lecture and hands on course that uses composite as a medium to design, form, contour, finish and polish anterior teeth. The lecture part of the course will cover the step-by-step process of managing the design of 6 anterior teeth for a specific maxillary arch relationship. Specific guidelines for esthetic tooth arrangement both in size and position are the key elements taught during this course. Micro-esthetic elements of surface texture, and polish will be covered in a very systematic easily learnable format.

The demonstration and hands on part of the course will be taking 6 maxillary teeth that have been built up as 6 oversized blocks of composite prior to the course and specifically determining the correct esthetic parameters of midline, tooth length and width, inter-tooth width relationships. Once these parameters have been determined the step-by-step process of creating these macro-dental esthetic relationships will be demonstrated and participants will do the same. Micro-esthetic parameters of form, contour, surface texture, and polished will gone over in great detail and participants will accomplish all these important skills.

Topics Covered:

  • Space management and Shaping 6 anterior teeth in composite
  • Contouring 6 anterior teeth in composite materials and techniques
  • Texturizing 6 anterior teeth in composite materials and techniques
  • Polishing 6 anterior teeth in composite materials and techniques

Prior to the course participants are to make a cast with removable dies (e.g. pin-dexed cast) from the impression that is provided of the 6 maxillary prepared teeth. Participants are also to pour a solid cast of the full contour teeth, which is the second impression provided. Participants are then to build up composite in any shade (the shade I use is BL from the Venus Pearl system) to over contoured crown shapes. The size and shape of the cast generated from the second impression should be copied as close as possible. The teeth are then ready for the start of the course.

Each participant will need a high-speed friction grip handpiece, and a slow speed handpiece with a straight nose cone and a contra-angle attachment.

Stavros Pelekanos Dr. Med. Dent, DDS

Dr. Stavros Pelekanos received his D.D.S. in 1991 from the University of Athens, Greece. In 1993, he obtained his doctoral degree in prosthodontics from the University of Freiburg, Germany. After his professional training, he established a private practice in Athens specializing in prosthodontics, implantology and esthetic dentistry.
He is an assistant professor at the Department of Prosthodontics, School of Dentistry, University of Athens. As a faculty member of the Global Institute for Dental Education, Los Angeles, Calif., U.S., he lectures internationally and gives hands-on courses on implants, esthetics and restorative procedures. To date, he has published over 20 articles in peer-reviewed journals and two chapters in books.
Since 2013, he has been an active member of the European Academy of Esthetic Dentistry. His professional affiliations include the International College of Prosthodontics, European Prosthodontic Association and the Hellenic Prosthodontic Society.

Ed Mclaren DDS, MDT

Dr. Ed McLaren is a prosthodontist and ceramist, he has written over 80 articles and one book on his techniques and research related topics. He is currently the director of the UCLA Center for Esthetic Dentistry that provides a full time residency in esthetic dentistry and also mini-residencies for practicing dentists. He is also director of the UCLA School for Esthetic Dental Design, which provides full-time and mini-residency programs for lab technicians.

Domenico Massironi DDS, Phd

Dr. Domenico Massironi graduated with honors in Medicine and Surgery from the University of Pavia and specialized in Dentistry at the same University with honors.

He has held numerous courses and congresses both nationally and internationally.

Diplomate of ICOI (International Congress of Oral Implantologists), Active Member of EAED (European Academy of Esthetic Dentistry), Member AARD (American Academy Restorative Dentistry) and Member Emeritus Amici di Brugg , Founder CAD CAM Academy.

He has a member of the editorial board of EJED (The European Journal of Esthetic Dentistry) and MICRO (the International Journal of Micro Dentistry).
He has been publishing and lecturing extensively worldwide in fixed prosthodontics and innovative treatment modalities in preparation teeth phase and esthetic dentistry, in the fields of dental implant therapy, before prominent university faculties, national and international dental academies, and professional institutions, for which he has gained widespread recognition internationally.

He written several articles and two books, among which “Precision in prosthetic restoration”, written in co-operation with the dental technicians Mr. Alberto Battistelli and Mr. Romeo Pascetta published by Quintessence and “Precision in dental aesthetics” written in co-operation with Mr. Romeo Pascetta and Giuseppe Romeo published by Quintessence translated in numerous languages.

He maintains a private practice limited to prosthodontics and implant dentistry in Melegnano Italy.
He uses the stereomicroscope since 1988.

Stavros Pelekanos Dr. Med. Dent, DDS

Dr. Stavros Pelekanos received his D.D.S. in 1991 from the University of Athens, Greece. In 1993, he obtained his doctoral degree in prosthodontics from the University of Freiburg, Germany. After his professional training, he established a private practice in Athens specializing in prosthodontics, implantology and esthetic dentistry.
He is an assistant professor at the Department of Prosthodontics, School of Dentistry, University of Athens. As a faculty member of the Global Institute for Dental Education, Los Angeles, Calif., U.S., he lectures internationally and gives hands-on courses on implants, esthetics and restorative procedures. To date, he has published over 20 articles in peer-reviewed journals and two chapters in books.
Since 2013, he has been an active member of the European Academy of Esthetic Dentistry. His professional affiliations include the International College of Prosthodontics, European Prosthodontic Association and the Hellenic Prosthodontic Society.

Didier Dietschi D.M.D, PhD

Received his degree in Dentistry in 1984, a Doctoral thesis in 1989, a PhD degree in 2003 and Privat-Docent degree in 2004 all from the University of Geneva. He is currently active as a senior lecturer at this university and is also associate Professor at Case Western University, in Cleveland. Dr. Dietschi is in charge of anterior adhesive restorations and perio-implant surgery.

Athens Session

Most people have a love-hate relationship to Greece's capital. On one hand it is a city with a wide variety of things to see and do. From here you can also get to most places in Greece: by air, train, boat or bus.

On the other hand it is a huge, busy place with about half of Greece's population living there (close to 5 million). There are places you do not want to be alone at night, and Athens has a big problem with traffic jams and pollution, especially the smog. It is a fascinating place, though. It is one of the oldest cities in the world, and walking through its ancient Agora or on the Acropolis, it does make you feel you are walking on, if not sacred, very important ground. The Athenians are now living better after the Olympic games many things have been improoved. This means that a lot of buildings have been renovated, and big projects have been carried out. The infrastructure of the city has been modernized with new highways (Attiki odos) that circulating Athens from Aspropyrgos to the new Airport at Spata and goes until the western suburbs of Athens. Many historic areas of Athens have been made for pedestrians only like the whole Area around Acropolis from Dionysiou Areopagitoy street until Thission and Keramikos.Plaka is also 90% pedestrianised as well as the Ermou street the main shopping street of Athens. The port of Piraeus has been modernized as well with parking areas around the port and new docks for the Greek ferries and Cruise ships.

History

Athens is often mentioned in Greek mythology. The ancient Athenians believed that they originally came from Attica and were not an immigrated people. To support this, they would refer to their first king, Cecrops, who was a man-snake born out of the earth. He had been the ultimate judge, when the goddess Athena and the sea god Poseidon competed in becoming the patron of the city, a competition Athena was to win, naming the city.

The greatest hero of Athens was Theseus, whose wicked stepmother was the infamous Medea, hated by the Athenians and forced to flee. The hero had managed to stop the yearly tribute of youngsters to king Minos of Crete by killing the Minotaur, and his bones were kept in a special monument here. Oedipus died in Athens, and Orestes was brought before the Aeropagus here after revenging his murdered father Agamemnon. Many historical personalities were also born here, and even more lived and worked here. Socrates wandered the streets, discussing philosophical questions with those he met. Demosthenes preached against the Macedon-ians, and Plato and Aristotle taught here. Pericles made his time a golden one, and Alcibiades was admired and hated. Later on, St. Paul was to preach a new religion called Christianity. The list could go on forever...

There are evidence of ancient settlements in Athens from the 7th millennia BC. Athens was not always the most important city of Greece, and its greatest rival in antiquity was Sparta and the Persians. The great orator Demosthenes warned the people of Athens about the Macedonians, and he was right: in 322BC Athens was conquered by them. The Turks invaded Athens in 1456, and the city stayed under Turkish rule for about 350 years. In 1834 Athens was declared capital of Greece - then, only about 6000 people lived there. In 1941 the Germans occupied Athens and during the two months the Greeks resisted and over 300 000 people died of starvation. The old film footage of Hitler walking on the Acropolis is a bitter memory of this time. Athens was also a battlefield during the civil war 1946-1949. The junta took over in 1967 and Greece was a dictatorship until 1974. In 1981 Greece joined the EU.

What to See

The first place you should visit when in Athens is of course the Acropolis. Standing up there, on the sacred rock as the Greeks call it, you can practically feel the magnificence of ancient Greece. Don't think you'll be alone there though. Other archaeological sites are the agora, the market, with the temple to Hephaistos still in quite good shape, as well as the temple to Zeus and the arch of Hadrian.

Museums of interest are, amongst others, the Acropolis museum, the National Archeological museum , the Folklore museum, the Ceramics museum (Keramikos), the Byzantine museum, the Music museum, the War museum, the Benaki museum etc. All in all, there are about 50 museums in Athens. A popular place for shopping or food and drink is Plaka, just below the Acropolis. It is considered quite a touristy area, but the fact is that you here can get an idea of old Athens, with low buildings and little streets. In Monastiraki there is a bazaar which is quite incredible, in Hephaestou street and around the small square of At the Syntagma Square you can visit the Tomb of the Unknown soldier. Here you can see the guards in their impressing uniforms, the Evzones, and if you are lucky you will see the slow and complicated change of guards. You can also feed pigeons here. Interestingly, there used to be a tomb to the unknown hero in ancient Athens

The opera, Megaron Mousikis, holds many wonderful performances, but even lovelier is the Herodes Atticus theatre just below the Acropolis.

Milan Session

Milan, the capital of Lombardy, has a population of 1.3 million people. It is the biggest industrial city of Italy with many different industrial sectors. It is a magnetic point for designers, artists, photographers and models. Milan has an ancient city centre with high and interesting buildings and palazzos, which is why so many people from all over the world want to see the city of glamour.

Climate

Italy's climate is predominantly Mediterranean: Alpine in the far north; hot and dry in the south. Winter in Milan is relatively mild but foggy, with temperatures ranging from zero to 8 degrees Celsius. Summer can be very humid with brief thunderstorms; temperatures range from 14 to 29 degrees. From March through April temperatures range from 6 to 18 degrees. From October through November they range from 6 to 17 degrees.

History

Milan’s origin goes back to 400 B.C., when Gauls settled and defeated the Etruscans.
In 222 B.C. the city was conquered by Romans and was annexed to the Roman Empire. After 313 A.D., the year of the Edict of Tolerance towards Christianity, many churches were built and the first bishop was appointed: Ambrogio was such an influential person that the church became the Ambrosian Church (7 December is a holiday to honour Sant’Ambrogio). In 1300 the Visconti family which are noblemen from Bergamo, Cremona, Piacenza, Brescia and Parma ruled and brought a period of glory and wealth to the city. The Duomo was built in 1386 and became the symbol of Milan.

The Sforza family assumed the Castle and the power of the Visconti family and finally Milan achieved peace after many years of war against Venice and Florence. Under the Sforza duchy the city began the development of sciences, art and literature. Ludovico il Moro (Ludovico Sforza) called Leonardo da Vinci and “il Bramante” to his court.

Art & Culture

Milan has always been a rich and important city. It has always been a place full of various famous artists and offers a particular assortment of churches, buildings and monuments. There was a change of culture and art in the Renaissance with big a contribution in the period of the neoclassicism. Milan offers a big variety of buildings, monuments and museums. The most important church is the Cathedral which is the third largest church in the world.
It is overall made of marble, with immense statues, arches, pillars, pinnacles. From the roof you can experience a beautiful panorama of the city. Santa Maria delle Grazie was built between 1466 and 1490 and modified by Bramante. In the Refectory there is one of the most famous paintings of Leonardo da Vinci: the “Last Supper”. Milan has many historic palazzos like the Palazzo Reale (Royal Palace) which is situated in the south side of Piazza Duomo. The Sforza Castle is one of the symbols of Milan together with the Madonnina and the Galleria Vittorio Emanuele II. All those sights together are just few reasons for a visit.

Events & Folkloristic

Festival of Sant’Ambrogio takes place once a year, on 7 December. Milan celebrates its saint who is Saint Ambrose (Sant’Ambrogio). This day, the day of Saint Ambrose, there is the fair called “O bei! O bei!” The festival overlaps the opening of the opera season at the Scala. The Carnival Ambrosiano is another event with a typical costume. There are also festivals like the Corteo dei Re Magi on 6 January, Tredesin de mars on 13 March or the Fair of Flowers.

Geneva Session

The symbol of the «world’s smallest metropolis» is the “Jet d’eau” – a fountain with a 140-metre-high water jet at the periphery of Lake Geneva. Most of the large hotels and many restaurants are situated on the right-hand shore of the lake.

The old town, the heart of Geneva with the shopping and business quarter, holds sway over the left-hand shore. It is dominated by St. Peter’s Cathedral, however the actual centre of the old town is the Place du Bourg-de-Four, which is the oldest square in the city. Quays, lakeside promenades, countless parks, lively side streets in the old town and elegant shops invite guests to stroll. One of the best-maintained streets is the Grand-Rue, where Jean-Jacques Rousseau was born. The «mouettes», a type of water taxi, enable crossings to be made from one lakeshore to the other, while larger vessels invite visitors to enjoy cruises on Lake Geneva.

Geneva is Switzerland’s most international city, as it is where the European seat of the UNO is based. Even the International Red Cross directs its humanitarian campaigns from here. Besides being a congress city, Geneva is also a centre for culture and history, for trade fairs and exhibitions. The «Horloge Fleuri», the large flower clock in the “Jardin Anglais” (English Garden), is a world-renowned symbol of the Geneva watch industry.

Culturally, this city on the westernmost fringe of Switzerland has much to offer. International artists perform in the Grand Théâtre and Geneva Opera House, and an extremely diverse range of museums such as the “Musée international de l'horlogerie”, a watch museum with a collection of jewellery watches and musical clocks, and the International Museum of the Red Cross and Red Crescent, which provides an insight into the work of these humanitarian organisations, invite city guests to visit them.

A rewarding excursion destination is Mont Salève, which is situated in neighbouring France. The cableway lifts visitors to an altitude of 1100 metres in less than five minutes, giving rise to outstanding vistas across the city of Geneva, Lake Geneva, the chain of Alps, the Jura and Montblanc.

Highlights

  • Jet d’eau – visible from afar, the 140-metre-high water jet is the ‘landmark’ of Geneva.
  • St. Pierre Cathedral – the north tower of the three-naved basilica in the old town of Geneva offers up an unique vista over the city and lake.
  • Palace of the United Nations – on passing through the paled gate of the Palace of the UNO, visitors enter international territory.
  • International Museum of the Red Cross – the birthplace of the International Red Cross houses the only museum dedicated to the history and work of this organisation.
  • Cruises on Lake Geneva – from the cruise boats, visitors can marvel at the unique scenery of castles and magnificent residences set against wonderful landscape and mountain panoramas.
  • The magnificent parks of Geneva
  • A certain art de vivre in the Bains district
  • Carouge and its bohemian atmosphere
  • The birthplace of fine watchmaking: from the Flower Clock to the watchmakers' shops
  • A getaway to Mont-Salève
  • Geneva à la carte - The Geneva Amazing Experiences”, the 11 maps focus on different aspects of the city and all carry full descriptions in English.

In order to access the Self Study area for [wpv-post-title], please login inside your account using the form below:

Thank you for logging in. This area contains the self study material for the Europe Clinical Masters™ Program in Esthetic and Restorative Dentistry participants.

In order to get access to this area you need to be registered in our program.


Feel this is a mistake? Please contact us and let us know.

This is how world’s future best dentists train with the Clinical Masters in the best locations all-over the world